Auditions – 2026 Season

A Celebration of Musicals (Act 4)

Directed by Joe Desborough and Lexie Ward
Musical Direction by Jonathan Millican and Hannah Ord
Choreography by Holly Neaves, Alex Carruthers and Ria John.

Performance: 28th April – 2nd May 2026
Casting: September 22nd 2025 from 5:00pm 

The team behind this year’s Legally Blonde the Musical, and the prior series of A Celebration of Musicals productions, are thrilled to be returning with A Celebration of Musicals – Act 4 in 2026! The company perform a wide range of old, new, known and unknown musical theatre songs.

Please contact in advance to book slot

Contact Details: celebrationofmusicals@gmail.com

A Veritable Feast

Written and directed by Pat Harkness

Performance: 9th – 11th April 2026
Casting: 19th February 2026, 7:30pm

The Full English
The neighbour’s dog’s barking leads to a shocking confession by Barbara, but when the neighbours and then the police arrive, things become not only mysterious but confusing and misunderstandings occur.  Dramatic and funny in equal measure, come and find out what really happened. The action is set in Barbara and Norman’s kitchen.

Iced Buns
The three ladies are back! After attending the christening of their neighbour’s grandson Maud has invited her friends back to her house for tea and cake.  What she has to tell them is for their ears only, but what could it be?  Maud is usually happy to share the gossip so why is this so different? The action takes place in Maud’s parlour.

Characters for The Full English

  • Barbara and Norman  – A middle-aged couple
  • Jim – An elderly neighbour
  • Sally – Neighbour, mid thirties
  • PC Dickinson and Constable Dudley – Policemen/women any age

Neighbours and police are minor roles.

Characters for Iced Buns

  • Maud – Spinster, doesn’t hold back on her opinions.
  • Nellie – Married, disorganised – a follower.
  • Winnie – A quiet soul with a heart of gold, but a bit dim.

All three characters are middle-aged or older, and local accents are necessary.

Contact Details: nanasanta@hotmail.co.uk

Shirley Valentine

By Willy Russell; Directed by Carole Ferguson

Performance: 10th – 15th August 2026
Casting: May 5th 2026, 7:00pm

The heroine in this actor’s tour-de-force is an ordinary middle class English housewife. As she prepares chips and egg for dinner, she ruminates on her life and tells the wall about her husband, her children, her past, and an invitation from a girlfriend to join her on holiday in Greece to search for romance and adventure. Ultimately, Shirley does escape to Greece, has an ‘adventure’ with a local fisherman and decides to stay. This hilariously engaging play was a hit in London and New York, performed by Pauline Collins, who later recreated her rôle on film garnering an Oscar nomination.

Cast Required

  • Shirley Valentine – Middle-aged housewife from the north of England.

Audition pieces will be provided by the director and available at the theatre a couple of weeks before the audition is held.

Contact Details: crferguson1246@gmail.com

Keeping Up Appearances (The Stage Play)

Adapted by Roy Clarke; Directed by Jason Munn

Performance: 5th – 10th October 2026
Casting: 3rd August 2026

Based on the beloved British sitcom by Roy Clarke, Keeping Up Appearances – The Stage Play brings the hilarious world of Hyacinth Bucket (pronounced ‘Bouquet’) to life in a brand-new script written especially for the theatre.

Set in a modest church hall, this comedy-of-manners follows the ever-pretentious Hyacinth as she throws herself into two cultural events: a local art exhibition (featuring her own amateur painting, Willows by Moonlight) and an amateur dramatic society’s production still searching for a leading lady. Naturally, Hyacinth is determined to claim the most prestigious rôle – that of Lady Melvern – much to the horror of her long-suffering neighbour and reluctant director, Emmet.

As chaos unfolds, audiences are treated to appearances by Hyacinth’s eccentric family – including the slobbish Onslow, sensual Rose, and droll Daisy – as well as quirky newcomers like the tech-savvy Milly, the formidable Mrs Debden, and a bewildered revolving door of mistaken artists.

A heartwarming and riotous look at British social climbing, family dysfunction, and theatrical ambition, this stage adaptation is a delightful homage to a cultural classic.

Cast Required

  • Hyacinth Bucket (‘Bouquet’) – Overbearing, socially  aspirational, obsessed with etiquette and  appearances. Large rôle with high energy and vocal variety. Female. Playing Age: 50s–60s.
  • Daisy  – Hyacinth’s warm-hearted sister. Dreamy, romantic, and loving  despite her messy surroundings. Working-class accent. Female. Playing Age: 40s–60s.
  • Onslow – Daisy’s slobbish husband. Laid-back,  sarcastic, beer-drinking TV lover. Physically relaxed but comically sharp. Male. Playing Age: 40s–60s.
  • Rose – Flirty and flamboyant. Dresses provocatively and often involved with unsuitable men. Bold physicality. Female. Playing Age: 30s–50s.
  • Emmet – Hyacinth’s weary neighbour and local am-dram director. Artistic, high-strung, and trying desperately to avoid Hyacinth’s ambitions. Male. Playing Age: 40s–60s.
  • Elizabeth (Liz) – Nervous next-door neighbour. Gentle, polite, and perpetually anxious around Hyacinth (especially near the china). Female. Playing Age: 40s–60s.
  • Sheridan (voice only) – Hyacinth’s unseen son. Dramatic and theatrical. Communicates via phone with exaggerated formality. Male. Playing Age: 20s–30s.
  • Milly – A shy, nerdy computer enthusiast. Intelligent but socially awkward. Catches Rose’s attention. Female (can be Male or Non-binary depending on casting). Playing Age: 20s–30s.
  • Mrs Debden – Dominant chair of the local charity committee. Commanding, dry-witted, and  highly proper. Female. Playing Age: 50s–70s.
  • Mrs Cavendish – A refined, upper-class woman involved with the local society. Elegant and traditional. Female. Playing Age: 50s–70s.
  • Mr Milson – Awkward, intellectual type. Becomes the target of Rose’s flirtation. A comedic straight man. Male. Playing Age: 20s–30s.  (Could be merged with or replaced by Milly)
  • Two Artists – Eccentric, confused, and comedic. Appear at the wrong times for the art exhibition. Strong timing and physical humour required. Any gender.Playing Age: 20s–50s.
  • Daddy (Hyacinth’s Father) – A silent, eccentric presence.  Appears in costume (e.g.,Union Jack boxers). Physical comedy rôle; no lines but  strong stage presence. Male. Playing Age: 70s+.
  • Mrs Debden’s Assistant / Committee Member (optional)  –  Minor support role that can add depth to the committee scenes. Flexible line load.  Female. Playing Age: 40s–60s.

Received Pronunciation or affected ‘posh’ accent required  for Hyacinth and Mrs Debden. A northern/working class accent required for Daisy, Onslow, and Rose. Natural regional variations of accents for others depending on casting style. Several roles require physical comedy, quick entrances/exits, and expressive movement (e.g., Daddy, Artists, Hyacinth). An emphasis on ensemble interaction and comic timing is required by all.

Contact Details: jasonjmunn@gmail.com

The Curious Incident of the Dog in the Night Time

A Play by Simon Stephens Based on the Novel by Mark Haddon; Directed by Sean Reynolds

Performance: 9th – 14th March 2026
Casting: To be announced

Set in Swindon and London, the story concerns a young boy, Christopher Boone, a mathematical genius, who is neurodiverse. Finding his neighbour’s dog (Wellington) dead, speared with a garden fork, Christopher embarks on a detective mission to find what happened to Wellington. Told from Christopher’s perspective his ‘detecting’ unravels a twisted tale that challenges his understanding of the world. Told through his own words, with his diary narrated by his teacher, and vocalised by the chorus of six, supported by his parents. The story tells of Christopher’s struggles with understanding the world, his love of mathematics, his rat Toby, the mystery of Wellington’s death, his fears, and the definition of truth.

Cast Required

  • Christopher John Francis Boone – He is taking his ‘A’ level Maths exam. Should ideally have an understanding of Autism/Asperger’s (Although his neurodiversity is never mentioned Christopher  is often described as on the autism spectrum and struggles with day to day interactions). Male: Ideally passes as 16-18.
  • Mr. Ed Boone – Christopher’s father, self-employed a boiler engineer. Has a good relationship with Christopher but is tired and can be frustrated. Male, 30-40s.
  • Mrs. Judy Boone – Christopher’s mother. Caring but emotional.  Female, 30-40s.
  • Siobhan – Christopher’s mentor/teacher at school. Also acts as the play’s narrator. Female 20-60s.
  • Voice One – Mrs. Shears (Christopher’s retired neighbour); Mrs. Gascoyne; The head of  Christopher’s school; Woman on train;  Woman on heath, Shopkeeper. Female, 30-40s.
  • Voice Two – Roger Shears, Mrs Shears’ ex-husband; Mr. Wise: Neighbour; Duty Sergeant; Drunk man 1; Man behind counter. Male, 30-40s.
  • Voice Three – A policeman; Mr. Thompson, Neighbour; London policeman; Man with socks; Drunk man 2. Male, any age.
  • Voice Four – Reverend Peters: a priest and teacher at Christopher’s school; Uncle Terry, Christopher’s uncle; Station policeman;  Station guard.  Male, 30-50s.
  • Voice Five – Neighbour; Lady in street; Information; Punk girl. Female, 20-30s
  • Voice Six – Mrs Alexander: An old lady, one of  Christopher’s neighbours; Posh woman.  Female 50+

Voices 1 to 6 also provide narration, commentary, and help with set movement.

Contact Details: sean@eyede.co.uk

Under Milk Wood

Written by Dylan Thomas; Directed by James Issitt

Performance: 15th – 20th June 2026
Casting: To be announced

The forthcoming production of Under Milk Wood will revisit the play’s original conditions. Written in 1953 by Dylan Thomas as a play for voices, it was intended for the radio. This production will be set in an authentic 1950s recording studio, which slowly morphs into a live-action version of the text before returning to the original location. Set in the fictional Welsh fishing village of Llareggub, it explores the dreams and lives of the local inhabitants.

Cast Required

  • 6-8 actors are required with an assumption of equal gender split, although this is not essential. It is vital that all performers can affect a good Welsh accent, or be willing to develop this skill
  • One person is required as a Foley Artist who will create all of the live-action sound effects using industry-standard techniques.

In addition, the following extra roles are needed to help with the production: an Assistant Director, Lighting Designer, Set Designer and construction team, and a sound engineer.

Contact Details: james.issitt@gmail.com

Three Kings

By Stephen Beresford; Directed by Nigel Banks

Performance: 10th – 12th September 2026
Casting: To be announced

When Patrick is eight years old, his absent father returns unexpectedly for a brief but memorable encounter. Years later – recalling that meeting, and the revelations that followed – Patrick traces the events of his father’s life, laying bare a journey of grandiose plans, aching disappointments, and audacious self-delusion.

Character

  • Patrick – Male, 20-40, Irish Accent

Contact Details: nigelbanks842@gmail.com