Auditions – 2026 Season

Shirley Valentine

By Willy Russell; Directed by Carole Ferguson

Performance: 10th – 15th August 2026
Casting: May 12th 2026, 7:00pm

If you want to audition, please contact the director, Carole Ferguson,  with a telephone number and contact address/email. She will contact those who are interested to confirm audition time and place.

The heroine in this actor’s tour-de-force is an ordinary middle class English housewife. As she prepares chips and egg for dinner, she ruminates on her life and tells the wall about her husband, her children, her past, and an invitation from a girlfriend to join her on holiday in Greece to search for romance and adventure. Ultimately, Shirley does escape to Greece, has an ‘adventure’ with a local fisherman and decides to stay. This hilariously engaging play was a hit in London and New York, performed by Pauline Collins, who later recreated her rôle on film garnering an Oscar nomination.

Cast Required

  • Shirley Valentine – Middle-aged housewife from the north of England.

Audition pieces will be provided by the director and available at the theatre a couple of weeks before the audition is held.

Contact Details: crferguson1246@gmail.com or 07985 417 464

Mother’s Glass

Written and Directed By Nigel Banks

Performance: 10th – 12th September 2026
Casting: May 26 2026, 7:00pm in the bar

If you would like to be involved in this project, but cannot attend the audition on May 26th, please contact Nigel Banks.

Maureen Keenan, school dinner lady, is contacted out of the blue by Diana Jarvis, a successful estate agent, to say she is her long lost daughter, who was abandoned shortly after birth, because the mother could not look after her. Maureen grew up on a rough council estate in Essex, and ran away to London aged 15 to escape her abusive alcoholic parents, ending up in a squat, where she would give birth to the unwanted baby. Diana was subsequently adopted by a well-heeled, middle-class couple and enjoyed the comforts of an affluent upbringing. Having made contact with her birth mother, the two agree to meet in a café, where some awkward questions will be asked and not necessarily answered to everyone’s satisfaction. Will the bonds of blood prove strong enough to reconcile the two women, or will the stark differences in outlook, life experience and social class make this impossible?

Character

  • Maureen (Mo) Keenan playing age: late fifties; working class with a South-East accent; careworn after a difficult life but still resilient. Her tough exterior masks her vulnerability and deep-seated guilt about abandoning her daughter.
  • Diana Jarvis playing age: around forty; upper-middle class, well-educated and articulate; speaks with a neutral RPaccent; beneath her well-coiffed, immaculately dressed appearance and business-like manner there’sthe vulnerability of someone who is still not sure of her place in the world.

Contact Details: nigelbanks842@gmail.com

Three Kings

By Stephen Beresford; Directed by Nigel Banks

Performance: 10th – 12th September 2026
Casting: June 2nd 2026, 7.00pm in the bar

When Patrick is eight years old, his absent father returns unexpectedly for a brief but memorable encounter. Years later – recalling that meeting, and the revelations that followed – Patrick traces the events of his father’s life, laying bare a journey of grandiose plans, aching disappointments, and audacious self-delusion.

Character

  • Patrick – Male, 20-40, Irish Accent

Contact Details: nigelbanks842@gmail.com

Keeping Up Appearances (The Stage Play)

Adapted by Roy Clarke; Directed by Jason Munn

Performance: 5th – 10th October 2026
Casting: 3rd August 2026

Based on the beloved British sitcom by Roy Clarke, Keeping Up Appearances – The Stage Play brings the hilarious world of Hyacinth Bucket (pronounced ‘Bouquet’) to life in a brand-new script written especially for the theatre.

Set in a modest church hall, this comedy-of-manners follows the ever-pretentious Hyacinth as she throws herself into two cultural events: a local art exhibition (featuring her own amateur painting, Willows by Moonlight) and an amateur dramatic society’s production still searching for a leading lady. Naturally, Hyacinth is determined to claim the most prestigious rôle – that of Lady Melvern – much to the horror of her long-suffering neighbour and reluctant director, Emmet.

As chaos unfolds, audiences are treated to appearances by Hyacinth’s eccentric family – including the slobbish Onslow, sensual Rose, and droll Daisy – as well as quirky newcomers like the tech-savvy Milly, the formidable Mrs Debden, and a bewildered revolving door of mistaken artists.

A heartwarming and riotous look at British social climbing, family dysfunction, and theatrical ambition, this stage adaptation is a delightful homage to a cultural classic.

Cast Required

  • Hyacinth Bucket (‘Bouquet’) – Overbearing, socially  aspirational, obsessed with etiquette and  appearances. Large rôle with high energy and vocal variety. Female. Playing Age: 50s–60s.
  • Daisy  – Hyacinth’s warm-hearted sister. Dreamy, romantic, and loving  despite her messy surroundings. Working-class accent. Female. Playing Age: 40s–60s.
  • Onslow – Daisy’s slobbish husband. Laid-back,  sarcastic, beer-drinking TV lover. Physically relaxed but comically sharp. Male. Playing Age: 40s–60s.
  • Rose – Flirty and flamboyant. Dresses provocatively and often involved with unsuitable men. Bold physicality. Female. Playing Age: 30s–50s.
  • Emmet – Hyacinth’s weary neighbour and local am-dram director. Artistic, high-strung, and trying desperately to avoid Hyacinth’s ambitions. Male. Playing Age: 40s–60s.
  • Elizabeth (Liz) – Nervous next-door neighbour. Gentle, polite, and perpetually anxious around Hyacinth (especially near the china). Female. Playing Age: 40s–60s.
  • Sheridan (voice only) – Hyacinth’s unseen son. Dramatic and theatrical. Communicates via phone with exaggerated formality. Male. Playing Age: 20s–30s.
  • Milly – A shy, nerdy computer enthusiast. Intelligent but socially awkward. Catches Rose’s attention. Female (can be Male or Non-binary depending on casting). Playing Age: 20s–30s.
  • Mrs Debden – Dominant chair of the local charity committee. Commanding, dry-witted, and  highly proper. Female. Playing Age: 50s–70s.
  • Mrs Cavendish – A refined, upper-class woman involved with the local society. Elegant and traditional. Female. Playing Age: 50s–70s.
  • Mr Milson – Awkward, intellectual type. Becomes the target of Rose’s flirtation. A comedic straight man. Male. Playing Age: 20s–30s.  (Could be merged with or replaced by Milly)
  • Two Artists – Eccentric, confused, and comedic. Appear at the wrong times for the art exhibition. Strong timing and physical humour required. Any gender.Playing Age: 20s–50s.
  • Daddy (Hyacinth’s Father) – A silent, eccentric presence.  Appears in costume (e.g.,Union Jack boxers). Physical comedy rôle; no lines but  strong stage presence. Male. Playing Age: 70s+.
  • Mrs Debden’s Assistant / Committee Member (optional)  –  Minor support role that can add depth to the committee scenes. Flexible line load.  Female. Playing Age: 40s–60s.

Received Pronunciation or affected ‘posh’ accent required  for Hyacinth and Mrs Debden. A northern/working class accent required for Daisy, Onslow, and Rose. Natural regional variations of accents for others depending on casting style. Several roles require physical comedy, quick entrances/exits, and expressive movement (e.g., Daddy, Artists, Hyacinth). An emphasis on ensemble interaction and comic timing is required by all.

Contact Details: jasonjmunn@gmail.com

Charming! (Panto)

Written and Directed By Lou Graham

Performance: 26th November – 5th December 2026
Casting: 6th & 9th August 2026 – in the afternoon

Rehearsals to start in the first week of September.

It is the night of the ball and Prince Charming has just been told he is to find a wife by his mother, the Queen. Little does she know his heart belongs to someone a little closer to home. A tale of secrets, kidnap and magic. Will there be a happy ending? 

Cast Required

  • Queen Evil (mother of Prince Charming) – Very much the villain of the panto. Expect lots of booing and angry kids. Age 40+ female
  • Prince Charming – Slightly slow on the uptake but his heart is very much in the right place. Lovable guy who just wants to follow his heart. Age18+ male
  • Serena – Palace maid. Intelligent. Dreams of better. Secretly in love with Charming. Age 18+ female
  • Dame Dolly – Typical flirty, single Dame. Have fun and keep the dads on edge. Age 35+ male
  • Dan – Best friend of Charming. Comic timing. Has a friendly rivalrywith Dolly. Age 25+ male
  • Fairy Godmother – Narrator. Any age/gender
  • Ensemble – Various ensemble roles (4-5 required). You will be background characters with possible speaking parts. Singing & dancing. Changing set between scenes.